笔记

COURSE OUTLINE

WEEK 1

-- The Role of the Director

WEEK 4

-- Visual storytelling & Directorial choices

WEEK 5

-- Manipulation of Time

WEEK 6

-- Screen direction & Eyelines

* Weekend assignment: Shooting a sequence

WEEK 7

-- Debrief Exercise

-- Blocking & B/G action

WEEK 9

-- Introduction to acting

-- Casting and the audition

WEEK 10

-- Director's Preparations & Working with the Creative Teams

-- Working with Actors Demonstration

WEEK 11

-- Directors Meetings

WEEK 14

-- Viewing Rough Cuts of Graduation Films

WEEK 15

-- Critique Graduation Films

   *   *   *

RECOMMENDED TEXT:

-- Michael Rabiger, Directing: Film Techniques and Aesthetics, Third Edition, Focal Press, 2003

-- Judith Weston, Directing Actors, Creating Memorable Performances for Film and Television, Michael Wiese Productions, 1996

-- Mark Travis, Directing Feature Films, Michael Wiese Productions, 2002

-- Sidney Lumet, Making Movies, Alfred Knopf, 1995

-- David Mamet, On Directing Film, Penguin Books, 1992

-- Steven D. Katz, Film Directing, shot by shot, visualizing from concept to screen, Michael Wiese Productions, 1991

-- Steven D. Katz, Film Directing, Cinematic Motion, 2nd Edition, Michael Wiese Productions, 2004

-- Karel Reisz, Gavin Millar, The Technique of Film Editing, 2nd Edition, Focal Press, 2002